A review and author interview as part of the blog tour for Lev Parikian’s Why Do Birds Suddenly Disappear? published 17 May 2018.
A mysterious letter. A secret journal. An ancient wood, in borderland territory. Deceptive paths and strange, ghostlike figures, stirring at the edge of the trees. These were some of the elements that quickly took hold and drew me into Ryhope Wood, when I first read about it aged 15.
Recently I re-read it, rediscovered and found many new things to treasure.
I’ve always quite liked the style of old handbills: the erratic punctuation, jumbled type sizes and overuse of exclamation marks especially. If I produced a handbill for this blog, it would look something like this…
As a child of second-hand booksellers I had ready access to books and their offshoot – bookmarks. I recently rediscovered a box filled with some that once upon a time I had hoarded.
At the inaugural Balham Literary Festival, a gathering of Nature Writers, Landscape Writers and Writer writers came together to discuss the state of the natural world. Here’s my report on what I saw and heard.
It’s dark. It’s raining. January is upon us and the season of reflection, projection and resolve is underway. For voracious readers, this means that the perennial question: what to read next will be nagging at their shoulders more urgently than ever.
This post originally began as a bit of a rant. Fed up with the latest salvos in yet another round of click-baiting polemic about ‘New Nature Writing’, I launched into an aggrieved fan-boy defence of certain ‘nature’ writers.
Since then I’ve occasionally added new links and info to the post, in an attempt to expand its terms of reference and offer some useful resources for anyone else engaged in the debate. Including links to articles on lack of diversity in nature writing, creeping nativism and more.