Two thoughts, or questions, struck me recently as I reflected on the books I’ve read during 2018. The first was, where do all these books come from? I don’t mean in a literal sense; from a shop or library, but where did I hear about them? I often wonder this about authors in end-of-year-round-ups of…
A mysterious letter. A secret journal. An ancient wood, in borderland territory. Deceptive paths and strange, ghostlike figures, stirring at the edge of the trees. These were some of the elements that quickly took hold and drew me into Ryhope Wood, when I first read about it aged 15.
Recently I re-read it, rediscovered and found many new things to treasure.
Dead rats aside, there was one area of the garden that always made me feel a little uneasy. As the name suggests, there was once a mill here.
In the late 18th century it was a paper mill, but by the 1820s had become a cloth-mill. By the end of the Victorian era, the mill was gone, but perhaps something else lingered in the grounds.
Is it possible to be haunted by a place? I think that I may be. In this case it is Ashley Vale in Bristol – an exceptional urban oasis caught between the tracks, containing allotments, woods, hilltops and a pub next door to a farm.
Crumbling ruins, moonlight, tree-lined walks, bats flitting, owls hooting, wolves howling, trapdoors and darkling cellar stairs…
Ever since I can remember I’ve been attracted to things that might be termed ‘Gothic’. For that reason I have been looking forward enormously to the latest exhibition at the British Library: Terror and Wonder – The Gothic Imagination.
Clevedon: the most boring seaside town in all England; filled with dusty, fusty little sepia-tinted shops, selling dull stuff like lacework, horse brasses and pink and blue vintage porcelain salt-and-pepper sets in the shape of Edwardian ladies.
At least that’s what I used to think…
A ‘spotter’s guide’ to some of the more common themes, obsessions and clichés to be found in non-fiction ghost books.