Welcome to the second in a series of posts on my poetry practice, as publication of my first collection – with Black Bough hoves ever closer into view. Notes on Form. I probably shouldn’t admit this, but my understanding of how a poem works, or how its construction works, in a technical sense, remains a…
I have my first poetry book coming out in spring 2023, with Black Bough Poetry. That’s a pretty big and thrilling thing. I get excited enough about individual poems being accepted by a magazine or website, but a book? Bloody hell. It’s especially surprising to me, as I stopped writing poetry in any serious way…
Middlemarch – despite predictably squealing ‘Nooooooo, don’t do it’ as Dorothea Brooke settled on the notion that the ridiculously dusty Casaubon would make the perfect husband, and then, experiencing similar stomach-pit lurchings when Lydgate started making eyes at Rosamond Vincy, I thoroughly enjoyed it.
A short poetry post, to end my blogging year with. Two short imagist poems recently shared via @toptweettuesday on Twitter. Alongside a wintry Crystal Palace Park, replete with Penge Nessy. I had planned a reading year in review, but am frantically trying to finish Middlemarch, so that’ll become post one of 2023. In the meantime,…
Norwhere Land Norwood, owns a sonic vagueness inside its name, where it’s neither wood, nor something else, an implied other option, a missing word, lost along the way. That said, it was once wood: The Northwood, not of the NORTH of England, but north of Croydon, before you reach the Thames. At some point, the old woods were given…
I began to wonder, what makes a hill? Did all this tarmac count?
Fences, PRIVATE SIGNS, the houses? Were they part hill as well – landscape like the stone and grass? The buzzard overhead, was that part sky, part bird, part hill?
Three poems recently shared on Top Tweet Tuesday. A goldfinch appears to change everything, the rattles from a mischief of magpies, perhaps, turn ominous and upstream in a city crowd.
A quick word about Imposter Syndrome.
Two rants in poetic form, inspired by Liz Truss, her party and their supporters…
Three short recent poems, concerning light, heat and the potential perils of open windows. All first seen on Twitter as posts for Blackbough Poetry’s @toptweettuesday.
Another trio of poems recently shared via Black Bough poetry’s TopTweetTuesday.
This time, playing with and exploring the search for that elusive ‘perfect’ pebble, using ‘banshee’ as a verb and the seemingly absurd notion of fighting butterflies (for an extra bit of fun, try singing the first line of ‘Love on the breeze’ to the tune of The Cure’s ‘Inbetween Days’.
“Those woods on the ridge,
through the window,
if watched from a certain angle,
will roll over the roads,
untamed the suburbs,
reclaim the shape
of old maps…”
Three recent poems: Nuthak, Unearthed and The Nature Present.
Three short poems, recently shared on twitter through @toptweettuesday – Black Bough Poetry’s imagist focused poetry platform. Two birds, two sky-holes and a tiny galaxy of flies and light.
What if your average numbered walking guide, turned out to do much more – going beyond the basic geography to be predictive, intuitive, even psychic? If that happened, it might go something like this…
A little bit of fun. I shared this recently on Twitter for Black Bough Poetry’s #TopTweetTuesday.
Normally I send poems out to magazines and websites, before I put them on here, hoping an editor will take them, so it’s not only me who thinks there’s something in them. With this one, I have no idea where I’d send it, or what chance it would have – perhaps it would be seen…
You made a myth of a whitewashed wall,
Jarring ambassador in green…
The day Bristol Museum and Art Gallery’s Chinese Room disappeared, was the day I first realised that places, like people, can change. It came as something of a shock.
I’ve always quite liked the style of old handbills: the erratic punctuation, jumbled type sizes and overuse of exclamation marks especially. If I produced a handbill for this blog, it would look something like this…
Richly Evocative 