The shared notion of the long-vanished tree-scape of the Great North Wood is a vital framing device…As Sam from the Wildlife Trust notes: “We’ve encountered lots of people who are hugely enthused by the Great North Wood…The ‘vast ghost-wood’ which overlays and interleaves with the modern built environment is a great source of inspiration for many.”
Here were ancient trees, darkling trees, summer and winter trees, ancient oaks, looming pines, explosive cherries, laugh out loud at the wonder of it all trees. In one case a massive old volume was open on a page showing a 19th century photograph of a large Beech. Especially fascinating was the tree’s position on the side of a sunken lane, which meant that its multiple tangled roots were exposed to the world, in a glorious, twisting, serpentine display.
…there on the edge of the flat stretching roof
Stood a magpie, a gull and a pigeon
Neatly spaced –
The cast from some terrible joke.
Dead rats aside, there was one area of the garden that always made me feel a little uneasy. As the name suggests, there was once a mill here.
In the late 18th century it was a paper mill, but by the 1820s had become a cloth-mill. By the end of the Victorian era, the mill was gone, but perhaps something else lingered in the grounds.
I’ve always quite liked the style of old handbills: the erratic punctuation, jumbled type sizes and overuse of exclamation marks especially. If I produced a handbill for this blog, it would look something like this…
As the beam touches you, it has a near instant effect, quickly drawing your thoughts out through the window and filling you with a desire to be out there, on the other side of the glass, walking in the sunlight, exploring the city streets, or escaping over the horizon, (I like to think of this particular effect as a positive variety of Corpse-light or Willow-the-wisp, but without the danger of being drawn into some terrible dark and boggy end).